This analysis identifies the dominant media frames in the coverage of four right-wing populist actors — Vladimir Putin, Donald Trump, Silvio Berlusconi, and Roman Abramovich — by the Bulgarian editions of Elle and Cosmopolitan. Although the political platforms of these men are not, in fact, anti-establishment, which is the core characteristic of populism, they are referred to as populist actors because of their use of populist tools and discourses to practice so-called “neo-populism from above.” The four men were framed as: a carriers of a “golden touch”; b sources of profound/problematic wisdom; and c admirable collectors of “trophy” women. The findings are discussed as illustrative of the tabloidization of U.S. women’s magazine brands in the post-communist context of Bulgaria.