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Plaute et Rotrou: la traduction des comédies au XVIIe siecle, entre respect et création

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Plautus, Rotrou, imitation, comedy, Les Captifs

L’adaptation en tant que domaine de la comédie polonaise du XVIIIe siecle dans le recueil des drames de Wojciech Bogusławski

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adaptation, comedy, Wojciech Bogusławski, Polish theatre

La gastronomie dans des pieces choisies de Moliere et dans leurs traductions par Tadeusz Boy-Żeleński

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cultural aspects in translation, French cuisine, comedy, theatre

Поэтика и функции сновидений в сюжетосложении русской высокой комедии (Недоросль, Горе от ума, Ревизор)

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motif of sleep and dreams, Russian high comedy, Fonvizin, Griboedov, Gogol

De la comedia espagnole à la comédie française: trois exemples chez les frères Corneille

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Spanish comedia, French comedy, XVIIth century, adaptations, transpositions

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Różewicz, poetry, humor, cognitive sphere, comedy, director

Industrias contra finezas de Agustín Moreto. La historia de Hungría en el teatro de Moreto

DOI: http://dx.doi.org/10.19195/2084-2546.24.11

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Moreto, Industrias contra finezas, Calderón, serious palatina (palace) comedy, Mujer, llora y vencerás, music, history of Hungary

Смерть в симулятивном пространстве гиперреальности современной русской драмы (на примере пьес Олега Богаева)

DOI: http://dx.doi.org/10.19195/0137-1150.167.36

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simulacrum, transgression, absurdity, hyperreality, comedy, симулякр, трансгресія, абсурд, гіперреальність, комедія

Emotional investments: Contemporary Polish romantic comedy and neoliberalism

DOI: http://dx.doi.org/10.19195/0867-7441.24.11

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romantic comedy, neoliberalism, family film, Polish cinema, romance, emotions, komedia romantyczna, neoliberalizm, kino familijne, kino polskie, romans, emocje

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