Artykuły
https://orcid.org/0000-0002-8694-906X
The Lost and Found: Revising Art Stories in Search of Potential Changes marked the inaugural conference of a collaborative initiative between the University of Wroclaw, Universidade Nova de Lisboa and the Polish Institute for World Art Studies in Warsaw. This unique meeting brought together university researchers and artists, creating a stimulating atmosphere. The collaborative artistic endeavours undertaken aimed to build community and explore alternative knowledge production rooted in affectivity and openness to surprise, rather than an immediate quest for success. The focus was on a shared experience of being together and learning about each other’s roles beyond the conventional boundaries of scholars and artists. At the heart of the conference was the project Residua of Pre-Modern Relations with Art in Selected Contemporary Convents in Lesser Poland and Lower Silesia, supported by the National Science Centre in Warsaw. Although the residues and anachronisms discussed during the meeting did not explicitly refer to religious orders, they provided insights into the significance of faith and the evolving nature of the sacred in contemporary art. The project’s premise challenged the distinction between the religious and the spiritual, emphasizing the roles of community, respect, and care. It was hypothesized that female religious orders maintain these values in relation to the place of art in everyday life. Consequently, if an art historian wishes to study the relationship between women’s art and the sacred in everyday life, they should learn from nuns and female artists, not merely study them.
Art and Social Change: A Critical Reader, Ed. W. Bradley, Ch. Esche, London 2007.
Aune Kristin, Feminist Spirituality as Lived Religion: How UK Feminists Forge Religio-Spiritual Lives, “Gender and Society” 2015, No. 1.
Belting Hans, Likeness and Presence: A History of the Image before the Era of Art, Transl. E. Jephcott, Chicago–London 1994.
Braidotti Rosi, Conclusion: The Residual Spirituality in Critical Theory: A Case for Affirmative Postsecular Politics, [in:] Transformations of Religion and the Public Sphere, Ed. eadem [et al.], New York 2014.
Collectivism after Modernism: The Art of Social Imagination after 1945, Ed. B. Stimson, G. Sholette, Minneapolis 2007.
Edwards Elizabeth, Thoughts on the “Non-Collections” of the Archival Ecosystem, [in:] Photo-Objects: On the Materiality of Photographs and Photo Archives in the Humanities and Sciences, Ed. J. Bärnighausen [et al.], Berlin 2019.
Gago Veronica, Feminist International: How to Change Everything, Transl. L. Mason-Deese, London 2020.
Gourgouris Stathis, Lessons in Secular Criticism, New York 2013.
Harvey Graham, Animism: Respecting the Living World, London 2005.
Heelas Paul, The New Age Movement: The Celebration of the Self and the Sacralization of Modernity, Oxford 1996.
hooks bell, Teaching to Transgress: Education as the Practice of Freedom, New York – London 1994.
McGuire Meredith, Lived Religion: Faith and Practice in Everyday Life, Oxford 2008.
McGuire Meredith, Religion and Heeling, [in:] The Sacred in the Secular Age: Toward Revision in the Scientific Study of Religion, Ed. P. E. Hammond, Berkeley 1985.
Martinelli Monica, Religion in Secularized and Post-Secularized Europe, [in:] Migrants and Religion: Paths, Issues, and Lenses: A Multidisciplinary and Multi-Sited Study on the Role of Religious Belongings in Migratory and Integration Processes, Ed. L. Zanfrini, Leiden 2020.
Memory and Religion from a Postsecular Perspective, Ed. Z. Bogumił, Y. Yurczuk, London 2022.
Praczyk Małgorzata, Materia pomnika. Studium porównawcze na przykładzie monumentów w Poznaniu i Strasburgu w XIX i XX wieku, Poznań 2015.
Sylvia Wynter – On Being Human as Praxis, Ed. K. McKittrick, Durham (North Carolina) 2015.
Szymborska Wisława, Nothing Twice. Selected Poems, Transl. S. Barańczak, C. Cavanagh, Kraków 1997.
English
Język Polski
https://doi.org/10.19195/2449-9285.72.9
