Abstract
The rotunda of the Racławice Panorama is seen primarily as the “seat” of the painting, and both elements – the building and the painting – are one of the most prominent tourist attractions of Wrocław. The architecture of the rotunda reflects the changes in perception of the Panorama – along with the increasing importance of the memento from Lviv, efforts have been made to exhibit it in a representational, modern facility.
Keywords:
Wrocław, architecture, rotunda, Racławice Panorama