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No. 4(66) (2022): The roaring 1920s and dark 1930s
Published:
2022-12-01
DOI:
https://doi.org/10.19195/quart.2022.4
Full Issue
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From the Editors
Editors
,
Cover
https://doi.org/10.19195/quart.2022.4.95216
PDF (Język Polski)
Editors
,
Spis treści
https://doi.org/10.19195/quart.2022.4.95168
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Waldemar Okoń
,
Editorial
https://doi.org/10.19195/quart.2022.4.95169
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Editors
,
Contents
https://doi.org/10.19195/quart.2022.4.95217
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Editors
,
Back cover
https://doi.org/10.19195/quart.2022.4.95218
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Editors
,
List of Reviewers 2022
https://doi.org/10.19195/quart.2022.4.95215
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Articles
Filip Burno
,
The glow of the metropolis: Electricity, architecture, and the senses. Berlin 1924–1933
https://doi.org/10.19195/quart.2022.4.95170
PDF
Jed Rasula
,
Made in America for the world: Avant-garde responses to jazz
https://doi.org/10.19195/quart.2022.4.95171
PDF
Zofia Załęska
,
Swing dance costumes and their dynamics as seen through the prism of the feature films of the Second Polish Republic
https://doi.org/10.19195/quart.2022.4.95172
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Hanna Veselovska
,
From utopia to ideology: 1920s theatre studios in Ukraine
https://doi.org/10.19195/quart.2022.4.95173
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Irina Subotić
,
The centennial of the “Zenit” review (1921–1926–2021): Examples of the avant-garde networking
https://doi.org/10.19195/quart.2022.4.95174
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Tomaž Toporišič
,
Linking the historical and retro-avant-gardes by questioning the periphery-center relationship: The case of Trieste, Ljubljana, Zagreb and Belgrade
https://doi.org/10.19195/quart.2022.4.95175
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Karolina Rosiejka
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The 1st Exhibition of Polish Women Artists in Bydgoszcz: On the strategies of visibility on the cultural map of the reborn Second Polish Republic
https://doi.org/10.19195/quart.2022.4.95176
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Barbara Lewicka
,
“The Indiana Murals”: A study of the work in sociological terms
https://doi.org/10.19195/quart.2022.4.95177
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Przemysław Strożek
,
Football, decathlon and the martial arts: The Axis Powers and the visual propaganda of the international mega sporting events: 1934–1940
https://doi.org/10.19195/quart.2022.4.95178
PDF