No. 2(64) (2022): Returning to the past: reception of Greek and Roman antiquity in European art from the Renaissance to the 19th century

Published: 2022-06-01

DOI:

https://doi.org/10.19195/quart.2022.2

Full Issue

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From the Editors

Editors,

Spis treści

https://doi.org/10.19195/quart.2022.2.94060

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Waldemar Okoń,

Editorial

https://doi.org/10.19195/quart.2022.2.94061

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Articles

Costanza Broli,

Not just an environment: Role and significance of ruins in 17th c. Italian art through the example of Viviano Codazzi

https://doi.org/10.19195/quart.2022.2.94063

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Agnieszka Gralińska-Toborek,

Discovering antiquity in the second half of the 18th c. – from tradition to reception

https://doi.org/10.19195/quart.2022.2.94064

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Roksana Maria Łajkosz,

Mistress of the poet’s heart: On reading Lesbia’s iconography

https://doi.org/10.19195/quart.2022.2.94065

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Dorota Gorzelany-Nowak,

False inspirations: Antique terracotta in 19th c. forms from the collection of Princes Czartoryski Museum

https://doi.org/10.19195/quart.2022.2.94066

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Aleksandra Giełdoń-Paszek,

Graphic illustrations of Ovid’s “Metamorphoses” : A selection of the most important executions

https://doi.org/10.19195/quart.2022.2.94067

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Alicja Saar-Kozłowska,

Gratitudo: A justice-related virtue of antique origin

https://doi.org/10.19195/quart.2022.2.94069

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Witold Miedziak,

“The memory of Middle Ages” in church architecture of Italian architects in 16th c. Poland: Problem outline and research postulates

https://doi.org/10.19195/quart.2022.2.94071

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Paulina Korneluk,

The former St. Nicholas Church in Zamość as a Russian “lieu de mémoire”

https://doi.org/10.19195/quart.2022.2.94072

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Wiktoria Morawska,

Case study: lost identity and the New Synagogue in Częstochowa: Architecture of the houses of prayer as contemporary places of non-memory in culturally homogeneous cities

https://doi.org/10.19195/quart.2022.2.94073

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