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Publication Ethics
No. 1(63) (2022): Obraz – miasto – refleksja
Published:
2024-09-27
DOI:
https://doi.org/10.19195/quart.2022.1
Full Issue
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From the Editors
Editors
,
Contents
https://doi.org/10.19195/quart.2022.1.90752
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Editors
,
Contents
https://doi.org/10.19195/quart.2022.1.90866
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Waldemar Okoń
,
Editorial
https://doi.org/10.19195/quart.2022.1.90753
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Articles
Małgorzata Popiołek-Roßkamp
,
On the (un)necessity of the humanities
https://doi.org/10.19195/quart.2022.1.90754
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Paulina Łuczak
,
Title as pharmakon: The story of the titles of Jacek Malczewski’s painting known as “Melancholia”
https://doi.org/10.19195/quart.2022.1.90755
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Krzysztof Siatka
,
Promotion of conceptualism and the diagnosis of the “third force”: Organisation of the world of art and work of artists in the eyes of critics in the Krakow “Student” in the years 1969–1981
https://doi.org/10.19195/quart.2022.1.90756
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Cezary Wąs
,
“The Athens Charter” – a review of the issues and the question of the contribution of Polish architects
https://doi.org/10.19195/quart.2022.1.90757
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Martine Hamilton Knight
,
“The Pevsner Way of Seeing”: A paper on contriving the “timelessness” of architectural photography for Sir Nikolaus Pevsner’s “Buildings of England” series of books
https://doi.org/10.19195/quart.2022.1.90758
PDF
Barbara Salij-Hofman
,
From pedestal to wall: Commemorative murals in Wroclaw as new monuments in urban space
https://doi.org/10.19195/quart.2022.1.90759
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Marta Nokielska
,
Construction and the organic motif: The role of formal aspects in Lukasz Huculak’s painting
https://doi.org/10.19195/quart.2022.1.90760
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Patrycja Cembrzyńska
,
What does the setting imply?
https://doi.org/10.19195/quart.2022.1.90761
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Grzegorz Piotrowski
,
Krzysztof Jung in the middle of the world
https://doi.org/10.19195/quart.2022.1.90762
PDF (Język Polski)