No. 3(57) (2020): Pustki, braki i pominięcia w sztuce średniowiecznej

Published: 2020-09-01

DOI:

https://doi.org/10.19195/quart.2020.3

From the Editors

Redakcja,

Spis treści

https://doi.org/10.19195/quart.2020.3.78054

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Waldemar Okoń,

Od Redakcji

https://doi.org/10.19195/quart.2020.3.78055

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Waldemar Okoń,

Editorial

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Articles

Michael Grillo,

Perspective as structured memory in the wake of the Great Plague of 1348

https://doi.org/10.19195/quart.2020.3.78056

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Romuald Kaczmarek,

Emptied places: A case study of three churches in Wrocław (of St. James, of the Blessed Virgin Mary, of St. Elizabeth)

https://doi.org/10.19195/quart.2020.3.78057

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Agnieszka Dziki,

Three crucifixes in the Amerbach Cabinet and the incomplete small-scale sculptures around the year 1500

https://doi.org/10.19195/quart.2020.3.78058

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Ika Matyjaszkiewicz,

The tunic of mortality and the raiment of eternity. The earliest depictions of Christ Crucified in a colobium and a perizoma

https://doi.org/10.19195/quart.2020.3.78059

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Francesca Bocchi, Rosa Smurra,

Bologna and its porticoes: a thousand years’ pursuit of the “common good”

https://doi.org/10.19195/quart.2020.3.78060

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Justyna Balisz-Schmelz,

Which Polish? What Neue? What Wilde? Provincialisation of the centre – centralisation of the province on the example of the Düsseldorf “Papers” by Marek Sobczyk and Jarosław Modzelewski

https://doi.org/10.19195/quart.2020.3.78061

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Aneta Pawłowska,

“And the sounds of our drums will unleash a storm of existence”, or an exhibition which took place...

https://doi.org/10.19195/quart.2020.3.78062

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Monika Braun,

La Biennale di Venezia, or the usefulness (and uselessness) of art

https://doi.org/10.19195/quart.2020.3.78063

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