Artykuły

Nr 1(71) (2024)

Znaczenie interaktywności i dokumentalistyki w ofercie platformy Netflix

Strony: 100-123

PDF

Abstrakt

In this article, I look at the function of interactive documentary projects in the Netflix platform offer. I begin the argument by analysing the importance of interactivity in linear and non-linear television, with a focus on streaming platforms. The second part is devoted to the role played by documentaries on Netflix. The knowledge thus gathered allows me in the third part of the article to describe the interactive documentaries belonging the giant’s proposal. In the text, I look at interactivity and documentaries together, as these are elements of the media offering – one at a technological level, the other at a genre level – that are particularly attractive but also troublesome for the Netflix platform. The cases of reaching out to interactive documentary filmmaking per se seem particularly interesting research-wise because of the double challenge that the platform faces thanks to them. In the text, I draw on historical framing, analysis of found data and cognitive textual analysis.

Bibliografia

Alexander Neta, Catered to Your Future Self: Netflix’s “Predictive Personalization” and the Mathematization of Taste, [w:] The Netflix Effect: Technology and Entertainment in the 21st Century, ed. K. McDonald, D. Smith-Rowsey, New York – London 2016.

Bauer Zbigniew, Dziennikarstwo wobec nowych mediów. Historia, teoria, praktyka, Kraków 2009.

Bhargava Vanhishikha, How Netflix Uses Social Listening to Stay on Top of Their Content Game, https://www.radarr.com/blog/how-netflix-uses-social-listening (data dostępu: 24.11.2023).

Binns Daniel, The Netflix Documentary House Style: Streaming TV and Slow Media, „Fusion Journal” 2018, nr 14.

Filiciak Mirosław, Media, wersja beta. Film i telewizja w czasach gier komputerowych i internetu, Gdańsk 2013.

Iordache Catalina, Raats Tim, Mombaerts Sam, The Netflix Original Documentary, Explained: Global Investment Patterns in Documentary Films and Series, „Studies in Documentary Film” 2023, nr 2.

Iordache Catalina, Livémont Eline, Imbalances in On-Demand Documentary Offerings: The Case of a Small Media Market: Belgium, „International Journal of Communication” t. 12 (2018).

Jenkins Henry, Kultura konwergencji. Zderzenie starych i nowych mediów, przeł. M. Bernatowicz, M. Filiciak, Warszawa 2007.

Jones Julia P. G. [et al.], Nature Documentaries and Saving Nature: Reflections on the New Netflix Series „Our Planet”, „People and Nature” 2019, nr 4.

Kluszczyński Ryszard W., Sztuka Interaktywna. Od dzieła-instrumentu do spektaklu, Warszawa 2010.

Kluszczyński Ryszard W., Kino interaktywne – porządkowanie pola, [w:] Paradygmaty współczesnego kina, red. idem, T. Kłys, N. Korczarowska-Różycka, Łódź 2015.

Powierska Aleksandra, Polajkować TV. Telewizja i media społecznościowe, Kraków 2022.

Ross Sharon Marie, Beyond the Box: Television and the Internet, Malden (Massachusetts) 2008.

Sharma Sudeep, Netflix and the Documentary Boom, [w:] The Netflix Effect: Technology and Entertainment in the 21st Century, ed. K. McDonald, D. Smith-Rowsey, London – New York 2016.

Sztąberek Maciej, Platforma strumieniowa Netflix – domena VOD czy nowa forma telewizji jakościowej? Historia i sposoby dystrybucji, „Panoptikum” 2018, nr 20.

Zimmerman Eric, Narrative, Interactivity, Play, and Games: Four Naughty Concepts in Need of Discipline, „First Person” 2004, nr 154.

Licencja

Creative Commons License

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.