Tom 28 Nr 3 (2024): Production Cultures of Contemporary Television

Opublikowane: 04-04-2025

Pełny numer

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Dawid Junke,

Introduction

https://doi.org/10.19195/0860-6668.28.3.1

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Artykuły

Iwona Morozow,

Discourse decolonization and the engagement perspective in film and media studies

https://doi.org/10.19195/0860-6668.28.3.2

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María José Higueras Ruiz,

The “Streaming Wars” in pandemic time: Strategies of American streaming platforms to promote and distribute TV series in Spanish audiovisual market

https://doi.org/10.19195/0860-6668.28.3.3

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Kamil Walczak,

The apparent charm of glocalisation. Polish Netflix and politics of representation

https://doi.org/10.19195/0860-6668.28.3.4

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Łukasz Homziuk,

Between the Coen brothers’ legacy and Noah Hawley’s new ideas: “Fargo” TV series and the question of authorship

https://doi.org/10.19195/0860-6668.28.3.5

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Sylwia Szostak, Joanna Szymańska,

Producent w kulturze produkcji — nieustanna praca w kryzysie

https://doi.org/10.19195/0860-6668.28.3.6

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