Artykuły
https://orcid.org/0000-0003-0378-0455
The Fallout universe is an adaptive remix of themes that characterise the so-called (American) atomic culture. The creators of the universe have been developing it for years by entering into a dialogue with American pop-culture. Fallout’s storyworld is retro-futuristic and retrotopian in nature, a critique of the American Dream and a pessimistic diagnosis. Rebuilding civilization will not be possible because the negative aspects of human nature prevail over the nobler instincts. The apocalypse presented in this way is also a reflection — on a macroscale — of the universally understood ‘evil,’ which expresses itself — on a microscale — in ordinary human interactions. So the ultimate product of civilization — the actual ‘atomic legacy’ — will be mutations, aberrations, anarchy and barbarism.
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Bethesda Game Studio, Fallout 76, wyd. Bethesda Softworks, 2018.
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Chłopiec i jego pies (A Boy and His Dog), reż. L.Q. Jones, USA 1975.
Dziki (The Wild One), reż. L. Benedek, USA 1953.
Mad Max, reż. G. Miller, Australia 1979.
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English
Język Polski
https://doi.org/10.19195/0867-7441.29.5
