• Tom 24 Nr 4 (2020): The New Frontiers of Television

Tom 24 Nr 4 (2020): The New Frontiers of Television

Dawid Junke
Introduction
The New Frontiers of Television, Strony 9-13
DOI: https://doi.org/10.19195/0860-6668.24.4.1
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Artykuły

Michał Witek
The changing face of the “Yellow Peril” — representations of Asians and Asian Americans in the context of the “streaming revolution” in the United States
The New Frontiers of Television, Strony 15-31
DOI: https://doi.org/10.19195/0860-6668.24.4.2
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Antonio Gallardo Gracia
“Dear White People Vol. 2”: Social networking as an enforcing tool for racial inequality
The New Frontiers of Television, Strony 33-44
DOI: https://doi.org/10.19195/0860-6668.24.4.3
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Paweł Kaczmarski
On the back burner: Depictions of fascism in contemporary TV drama
The New Frontiers of Television, Strony 45-58
DOI: https://doi.org/10.19195/0860-6668.24.4.4
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Alexandra Madarászová
Michaela Zemanová
Reflections of International Relations theories in selected TV series distributed by Netflix
The New Frontiers of Television, Strony 59-76
DOI: https://doi.org/10.19195/0860-6668.24.4.5
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Dawid Junke
The showrunner as televisual “auteur” in promotional materials — a case study of posters for David Simon’s television shows
The New Frontiers of Television, Strony 77-91
DOI: https://doi.org/10.19195/0860-6668.24.4.6
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Joanna Szydełko
The quest for a successful book-to-series adaptation in the times of SVOD — using the examples of “The Handmaid’s Tale and Alias Grace” by Margaret Atwood
The New Frontiers of Television, Strony 93-103
DOI: https://doi.org/10.19195/0860-6668.24.4.7
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