No. 4(54) (2019): Długi wiek XIX i jego (nie)oczywiste media

Published: 2019-12-01

DOI:

https://doi.org/10.19195/quart.2019.4

From the Editors

Redakcja,

Spis treści

https://doi.org/10.19195/quart.2019.4.70864

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Waldemar Okoń,

Od Redakcji

https://doi.org/10.19195/quart.2019.4.70865

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Waldemar Okoń,

Editorial

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Articles

Magdalena Bartnikowska-Biernat,

“The head of St. John the Baptist on Herodias’ Platter” by Teofil Lenartowicz – from the history of Romantic sculpture

https://doi.org/10.19195/quart.2019.4.70866

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Mariusz Bryl,

Medium and context. On Artur Grottger’s press illustrations

https://doi.org/10.19195/quart.2019.4.70867

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Dawid Głownia,

Transformation of the form and function of magic lantern shows in 19th century Japan

https://doi.org/10.19195/quart.2019.4.70868

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Adrianna Kaczmarek,

Graphic self-portraits of Konstanty Brandel. Reflections on the artist’s technique

https://doi.org/10.19195/quart.2019.4.70869

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Arkadiusz Krawczyk,

To know the art master. Teofil Lenartowicz about the sculptural process in correspondence with friends

https://doi.org/10.19195/quart.2019.4.70870

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Waldemar Okoń,

Henryk Siemiradzki and three bards

https://doi.org/10.19195/quart.2019.4.70871

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Ewa Skotniczna,

The beginnings of the professionalisation of the art market in Poland in the 19th and early 20th centuries

https://doi.org/10.19195/quart.2019.4.70872

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Agnieszka Świętosławska,

The unfinished painting “Zebrzydowski’s Apology” by Szczesny Morawski – between the concept of historical painting and the difficulties of its implementation

https://doi.org/10.19195/quart.2019.4.70874

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Waldemar Okoń,

“Polish hospitality is a virtually non-reliable offer”. Review from the exhibition “Polish Hospitality” in the Wroclaw Contemporary Museum

https://doi.org/10.19195/quart.2019.4.70875

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