• Tom 38 (2017): Contemporary Transnational Westerns: Themes and Variations since 2000

Tom 38 (2017): Contemporary Transnational Westerns: Themes and Variations since 2000

Artykuły [1010]

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Strony redakcyjne i spis treści
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony
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Marek Paryż
Contemporary Transnational Westerns: Trajectories and Constellations
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 5 - 14
DOI: https://doi.org/10.19195/0860-116X.38.1
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Monika Siebert
East Asian Westerns at/as the Limits of the Western Genre Criticism
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 17 - 30
DOI: https://doi.org/10.19195/0860-116X.38.2
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Emma Hamilton
Such Is Western: An Overview of the Australian Western via Ned Kelly Films
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 31 - 43
DOI: https://doi.org/10.19195/0860-116X.38.3
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Józef Jaskulski
A Contaminated Landscape: Andreas Prochaska’s „The Dark Valley” as a „Nestbeschmutzer” Western
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 59 - 73
DOI: https://doi.org/10.19195/0860-116X.38.5
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Neil Campbell
“Walking into the World of the Western”: David Michôd’s „The Rover” as Australian Post-Western
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 45 - 58
DOI: https://doi.org/10.19195/0860-116X.38.4
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Fareed Ben-Youssef
Disrupted Genre, Disrupted Lives: „Adieu Gary” and the Post-9/11 Banlieue as Ghost Town
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 75 - 89
DOI: https://doi.org/10.19195/0860-116X.38.6
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Christopher Garbowski
„High Noon” at the Solidarity Corral: Wajda’s „Wałęsa” and the Classic Western
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 91 - 104
DOI: https://doi.org/10.19195/0860-116X.38.7
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Martin Holtz
The Western and the War Film: Clint Eastwood’s „American Sniper” as Genre Hybrid
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 105 - 119
DOI: https://doi.org/10.19195/0860-116X.38.8
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Matthew Carter
Personalizing the Apocalypse: Frontier Mythology and Genre Hybridity in „Maggie”
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 121 - 135
DOI: https://doi.org/10.19195/0860-116X.38.9
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Marek Paryż
A Map of Longings: Utopian Underpinnings of Contemporary Transnational Westerns
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 137 - 155
DOI: https://doi.org/10.19195/0860-116X.38.10
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Patrycja Włodek
Western XXI wieku — między demitologizacją a postironią
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 157 - 175
DOI: https://doi.org/10.19195/0860-116X.38.11
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Joanna Perzyna
Recenzja: The Western and the Indian „Raison D’être”
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 179 - 183
DOI: https://doi.org/10.19195/0860-116X.38.12
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Piotr Czerkawski
Europa bije się w piersi. Recenzja książki „Postkolonialna Europa. Etnoobrazy współczesnego kina” Krzysztofa Loski
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 185 - 191
DOI: https://doi.org/10.19195/0860-116X.38.13
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Aleksandra Idczak
Recenzja: Hanna i „jej” kino. O książce Kino Hanny Schygulli red. A Gwóźdź, Wrocław 2015
Contemporary Transnational Westerns: Themes and Variations since 2000, Strony 193 - 200
DOI: https://doi.org/10.19195/0860-116X.38.14
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