Tranzicija i figuralno/tekstualno telo u vizuelnoj umetnosti i poeziji: Tanja Ostojić i Ažinova škola poezije i teorije

Abstrakt

<p style="margin-bottom: 0cm;"><strong>Transition and figural/textual body in visual art and poetry: Tanja Ostojić and AWIN&rsquo;S School of poetry and theory</strong></p><p style="margin-bottom: 0cm;">&nbsp;</p><p style="margin-bottom: 0cm;">In the article I discuss the work of visual artist Tanja Ostojić and experimental poetry produced by the Awin&rsquo;s group of feminist poets in the context of globalism and Serbian transition. Pointing to the transformations of the field of art and field of poetry in the last tree decades, I outline the broader artistic contexts by Nicolas Bourriaud&rsquo;s term &ldquo;relational aesthetics&rdquo; and Mi&scaron;ko &Scaron;uvaković's term &ldquo;art in the age of culture.&rdquo; Considerig the broader concepts of the &ldquo;body,&rdquo; I refer to the body as object, body as subject, and body as performance, which includes considering the power relations and dominant social discourses. Focussing my attention at Ostojić&rsquo;s work <em>Looking for a Husband with EU Passport</em> I deal with the migrant body which symbolizes &ldquo;otherness&rdquo; of democracy. Shifting the focuss to the work of Awin&rsquo;s group of poets, I discuss the possibilities of experimental poetry practice in postsocialism, and the figural/textual body as an index of identity and ethnicity Jelena Savić, procreative body and technologies of motherhood Ljiljana Jovanović, procreative body and surveillance technologies Snežana Roksandić-Karan, body of the Muse of a female poet as hybrid body Danica Pavlović, and the function of dirty words in the postsocialist feminist poetry Maja Solar.</p><p style="margin-bottom: 0cm;">&nbsp;</p><p>&nbsp;</p>